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Artistic research

I feel that my working method is what makes me unique as an artist.

I grew up in the center of Utrecht, but at the same time I had a strong connection to nature through weekends spent at Camping Bakkum. There, I developed an early fascination for the small and often overlooked details of the natural world. That way of looking has stayed with me and still shapes how I work today.

 

As an artist, I position myself between imagination and science. This becomes visible in my visual research, my making process, and in the sculptures themselves.

Camping Bakkum
Juna Miedema

I often describe my research practice as a “translation process.” Moving from a natural element to a ceramic sculpture happens through several stages of interpretation. None of my works are literal reproductions of their natural source. Instead, this process allows me to capture subtle qualities of plants and transform them into personal, abstract sculptures.

visual research | Drawing lythrum salicaria plant

Drawing for the Lythrum sculptures

visual research | Collage lythrum salicaria plant

Collage for the Lythrum sculptures

visual research | Drawing lythrum salicaria plant

Drawing for the Lythrum sculptures

When starting a new research, I immerse myself completely in my subject, often a plant. I study its characteristics in depth: its flowering cycle, habitat, whether it is native, and its role within biodiversity. This research is followed by a hands-on visual exploration, where I create drawings, collages, and new drawings based on those studies. This layered way of working allows forms to emerge that I could not have imagined beforehand.

Collage klimop sporen | Hedera

Collage for the Hedera sculptures

Tekening klimop sporen | Hedera

Drawing for the Hedera sculptures

During this process, I also bring the plant closer to me. I encounter it in nature or keep it in my direct environment for observation. Sometimes I study parts of it under a microscope to reveal hidden structures, which I then translate into clay.

Through this way of working, my sculptures carry a sense of recognition. They don’t directly represent something, but they invite attention and hold it through association and imagination. In that sense, they aim to create a similar experience to the natural elements that inspired them.

With my work, I aim to bring people closer to the beauty of nature, its precision, its details, and its imperfections.

Juna Miedema | Microscoop onderzoek
Microscoop beeld 1
Microscoop beeld 2
Juna Miedema | Solo expositie, Set Loose, 2025
 Gemma Florifera | Detail foto
 Gemma Florifera en Florescendi | Atelierroute 2025

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